Description

Material:  Ink on paper

Size: 70x70cm

Year of Creation:  2018

Artist: Chen Zifeng

Introduction

“Golden Fingers No. 2, Ink on Paper” is a subtle yet complex artwork that utilizes a soft colour palette to explore themes of value and touch. The fingers are adorned with gem-like structures, possibly symbolizing wealth or the human desire to embellish and beautify. The gentle interplay of light and shadow across the forms suggests both delicacy and strength. This piece may invite reflection on the ways we interact with the world and the objects we deem precious.

Chen Zifeng

An eminent contemporary artist, is a graduate of the Central Academy of Fine Arts. He holds a prestigious position as an Associate Professor and Master’s Supervisor at the College of Art and Design, Beijing Forestry University. His artwork, which deeply resonates with the visual sensibilities of the 1980s generation, masterfully weaves together strands of nostalgia with a contemporary outlook to establish a distinctive visual language.

Chen Zifeng’s artistic exploration ventures into profound themes such as growth, affection, mortality, desire, and loss, challenging the conventions of traditional ink painting to carve out a space for the visual narratives of his generation within the realm of contemporary art. His body of work reflects a deep comprehension and individualistic portrayal of both Eastern and Western cultural narratives, capturing the nuanced interplay between tradition and modernity, and the synergy between Eastern heritage and Western progressiveness.

Through his expressive art, Chen Zifeng communicates a profound emotional intelligence, a passion for life, and a genuine sincerity, transforming daily encounters into spiritually rich and visually arresting compositions. His artistry is not only rooted in a strong foundation of classical techniques but also flourishes in the improvisational and instinctive expressions of his cultivated talent. In doing so, Chen Zifeng embodies and advances the collective cultural aspirations and the progressive spirit of contemporary Chinese painting.

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